Thornoaks Walking Tour

Thornoaks Walking Tour

Sorry! This event is sold out.

On June 10th a2modern will be hosting a walking tour of the Thornoaks neighborhood. The tour will include several interior visits.  Thornoaks is an unusually intact group of 32 mid-century modern homes, recently designated as an historic district.  Docent led tours will start at 1 p.m. and 2:30 p.m. The entire tour is 0.6 miles long.

Tickets to the event can be purchased here.

 

thornoaks pics-7A small enclave of 32 houses on Thornoaks Drive and Huron River Service Drive, it’s located off East Huron Drive just before the U.S. 23 underpass.  On April 18 the Washtenaw County Board of Commissioners voted approval of a request by the residents to designate it as an historic district thus protecting it from demolition or unfortunate alterations.

thornoaks pics-6Thornoaks was developed in 1957-1961 by architect James Livingston and builder E. E. Kurtz.  They carefully laid out the lots to take advantage of views of the Huron River, South Pond, or the woods.  As the parcels were sold, Livingston and Kurtz reviewed the site plans, as the incorporation document states, for “materials, harmony of external design with external structure… placement of walls or fences… and to the location with respect to topography.”

Livingston was a well- respected local architect (1922-1975).  Bob Chance, who worked with Livingston at the beginning of his career noted, “All of Livingston’s houses were contemporary, with lots of daylight.  He did nothing old-fashioned, he wouldn’t waste his time.”  Livingston is best known as the designer of Lurie Terrace.  Readers may remember the cave-like Kales Water Fall, later a Chinese restaurant, and now torn down, which Livingston designed.  Other work included the Bell Tower Hotel, Weber’s Restaurant and Hotel (where the idea of a pool inside an atrium with hotel rooms looking down on it may have been his invention), Lawton School, apartments including Maynard House and one on Pear Street, as well as many private homes.

 

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Livingston’s residence – front

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Livingston’s residence – rear

 

It is known that Livingston was responsible for at least seven Thornoaks houses, but he’s probably the architect of quite a few more, as there are many where the architect is unknown that look like his work.  When Livingston was diagnosed with terminal cancer in 1975, he immediately closed his office and went to Florida to spend his remaining time.  The architects working for him took plans for buildings they were involved in, but it is believed the rest of his files were destroyed.

 

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Livingston’s residence – inside

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Livingston’s residence – inside

Identified Livingston homes include one he built for himself at 4099 E Huron River Service Drive, now owned by Kristine Bolhuis, the president of the Thornoaks Neighborhood Association, and her husband John Holkeboer, which is where the tour will start.

 

 

Livingston was also the local agent for Techbuilt homes and there are several  homes  in the neighborhood that fit the description.  Techbuilts are considered among the best of the modular homes of that era.  Boston area architect Carl Koch noticed that in most homes the attic and basement were the least used, so developed a module home that was just that, a basement halfway out of the ground and an attic on top of it, so both floors were very usable.

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Another modular house in Thornoaks is a Deck house developed by another Boston-area architect.  Other local modern architects designing homes in the neighborhood include Ted Smith and Donald Van Curler.

 

Alexander Girard, Architect – at the DIA

The book launch for Alexander Girard, Architect will take place on Wednesday, June 13th, at 6 pm at the Detroit Institute of Arts in the Kresge Court.  Remarks from the author and foreword writer Ruth Adler Schnee begin at 6:30 pm. The book will be available for purchase and signing. This event is free, but space is limited. You can sign up at https://alexandergirardlaunch.eventbrite.com

About the book:

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard’s exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.

One exciting element of the book is the rediscovery of another Girard masterpiece—the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard’s Detroit design work at midcentury. Stunning color photographs capture the unique design elements—including the boldly colored glazed brick walls of the atrium—reminiscent of Girard’s role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book.

Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

About the author:

Deborah Lubera Kawsky completed her undergraduate studies at Smith College and her PhD in art history at Princeton University. She is an adjunct associate professor at Madonna University, where she teaches art history courses and leads European study-abroad trips.

Botch / Aaron Open House

Botch ResidenceOn the afternoon of January 13th the Aarons, who soon intend to sell the Metcalf home known as the Botch House, will be holding an open house for our a2modern friends. Tickets may be purchased here.

Architect Robert Metcalf’s 1958 presentation drawing lifted the Botch House on Chestnut Street just above the crest of the ridge. A rising walkway led to three steps up to the startling entrance portico, while a sweeping white retaining wall created an illusion of floating. It is an extraordinary drawing of an extraordinary house.

A visitor approaching from the street today would see a house gently nestled into the site, the entranceway firmly set on the ground, and rather than a retaining wall (which was not built) a berm landscaped so as to conceal the driveway area at the northwestern end of the house. It is a better solution altogether, and the landscaping and other work supervised by the present owner, an architect herself, won a Preservation Award from the Ann Arbor Historic District Commission in June 2017.

Vintage photos of the interior of the Botch House (see 1055 Chestnut/Old News) emphasized openness to light and the natural beauty of the setting. Sited along a northeast to southwest axis, the all-windows private side of the house facing a golf course receives indirect sunlight all day long. Attention to the sun also explains the elegant screen on the portico: it modulates the raking afternoon sunlight.

In its essence, a “modern” house must be designed specifically for the client. In this instance, Dr. Edmund Botch asked for a discreet area off the master bedroom where he could, when necessary, dress and quietly leave the house to see a patient or keep an appointment. The intricate living area that resulted, including the master bedroom and two large bedrooms, has to be experienced to be fully appreciated.

The present owners, Richard and Yuni Aaron, bought the house in 2006. A series of practical updatings took place in the following years, including replacing almost all of the windows, redesigning storage spaces in the kitchen to accommodate new appliances (without changing either dimensions or materials), replacing carpeted areas with light-toned hardwood flooring, and creating two bedrooms in the lower level area. On the other hand, the buff brown tile used on the portico floor, through the entranceway, and into dining area was left untouched.

When the new owners invited Robert Metcalf to Thanksgiving Dinner, he brought his little black book, in which he had noted, to the penny, the original cost of the house. Two of his trademark touches add romance to the simplicity of its modernist flat roof, continuous expanses of glass, warm tile floor, patio areas, and indirect lighting—an elegant wooden screen separates the dining area from the portico entrance; and on either side of the living room fireplace, niches of purple-rose stained glass complement the pink marble of hearth and over mantle.

It is a big, very proud house, now updated by an architect who thoroughly understands the legacy of a brilliant architect. Together, the Aarons have earned the right to the re-identification of this house as the Botch/Aaron House.

Written by: Jeffrey Welch

 

See “Old News” Articles

The Ann Arbor District Library has a platform called Old News that reproduces thousands of historic newspaper articles on the web. Now, thanks to our collaboration with the AADL, we have a place for you to view dozens of original articles about mid-century modern homes as they appeared at the time in the local press. Select an address below to view an Old News article, and explore our other links for related material.

Address                           Architect             a2modern link

New AIA article about David Osler

The Huron Valley chapter of the American Institute of Architects (AIA) just sent out a new publication to their members that celebrates the accomplishments of local architects. Of particular interest is an article written by one of their members, Martin Schwartz, which contains some great insights into David Osler’s career and accomplishments.

a2modern would like to thank Brad Angelini, President of the AIAHV, for giving  permission to reproduce this publication on our website.

You can read the article here on pages 6 – 27.

Mies van der Rohe’s Lafayette Park

Sold Out

Time: 1:00-3:00 p.m.
When: Saturday, September 9th, 2017
Cost: $30/person, registration required

Detroit’s Mies van der Rohe Historic District in Lafayette Park includes 186 cooperatively owned Town House and Court House units, three apartment towers, an elementary school, a retail district, and a 13-acre park known as the Lafayette Plaisance.

The neighborhood has been hailed as “one of the most spatially successful and socially significant statements in urban renewal” and as a “prototype for future urban development predicated on human values.” The site contains the largest collection of buildings by the architect Mies van der Rohe in the world, as well as the only group of row houses built to his specifications.

The tour will be conducted by Christian Unverzagt and Neil McEachern, both long-time residents of Lafayette Park. Unverzagt is an Assistant Professor of Practice in Architecture at the University of Michigan’s Taubman College. McEachern, now retired, is a former Detroit Public Schools principal.

Space is limited (only 12 tickets available), REGISTER HERE

LOGISTICS: Transportation is on your own. We will meet at the Mies van der Rohe Plaza in the Shops at Lafayette Park at 12:45 p.m. Parking is available in the shops (off Lafayette). Alternatively, public parking is available on Joliet Place and Nicolet Place (off Rivard) and the plaza may be approached from the north by walking through the Plaisance.

Below are pictures of a courtyard unit at 1320 Nicolet Pl. that is currently for sale.

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Regent Drive and Highland Road Walking Tour – 8/17

On Thursday, August 17, at 6:30 P. M., Grace Shackman will lead a walking tour of Highland Road and Regent Drive. The lots on both streets were sold with the caveat that the homes be architect-designed. Architects represented include George Brigham, David Osler, Robert Metcalf, and Aldon Dow.

Tickets are $10 and can be purchased here. The tour will be limited to 20 people. Meet at the corner of Regent Drive and Highland Road, which is north of Geddes Road near the Arboretum.

The Unitarians’ Creative Reuse of 1917 Washtenaw

Author: Grace Shackman

Even Frank Lloyd Wright approved.

Most church groups that need to relocate either buy a church building abandoned by another congregation or build a new church. But in 1946, when the Ann Arbor Unitarian Universalists left their handsome stone church at the corner of State and Huron, they moved to a house on Washtenaw.

According to the church’s current minister, Ken Phifer, using houses is not uncommon among Unitarian congregations; he could name five other examples immediately. “The Unitarians don’t worry about following any architectural standard,” he says. “Every building and every community is different.” He links this to the Unitarian belief that “individuals follow their own path.”

The Unitarians bought the house at 1917 Washtenaw from Dr. Dean Myers, a prominent eye, ear, nose, and throat specialist. Built in 1917 (by coincidence, the year matches its address on Washtenaw), the Swiss chalet-style house was one of the most elegant on a street of distinctive homes. It was well built of sturdy fieldstone and was the pride of its builders, Weinberg and Kurtz. (For years, a picture of the house was featured on the construction firm’s checks.)

The front entry area was flanked by a formal living room on the west and a library and dining room on the east. Sun rooms on each side were entered through French doors. Next to the dining room was the butler’s pantry and beyond that the kitchen and cook’s pantry. The bedrooms on the second floor had adjacent sleeping porches over the sun rooms. On the third floor were luxurious guest quarters and a maid’s apartment with sitting room and bathroom. In the basement, besides the usual storerooms and laundry room, there was a billiard room with wooden pillars and a fireplace.

Myers, who was widowed when the house was built, moved in with his daughter, Dorothy, and his mother-in-law, Mrs. Owens. He was then forty-three years old and at the peak of his career as an innovative eye surgeon. He was also active in community affairs, serving on city council and the school board and as chair of the county Democratic party. An avid golfer, Myers helped lay out the first nine holes of the Barton Hills golf course and was the first player to make a hole-in-one there.

For the first six years in the house, Myers got by with day help, but in 1923, when he married Eleanor Sheldon, the housekeeper at Betsy Barbour, he decided it would be better to have a live-in maid. On the recommendation of friends, he sponsored a seventeen-year-old immigrant girl from Swabia in southern Germany. Carolina Schumacher (she married Gottlob Schumacher in 1930) cooked, washed, and ironed for the family.

Mrs. Schumacher still remembers her first day. She had to enter through the back door because Washtenaw was being paved and was covered with straw. She remembers Dr. Myers as “nice looking, tall and bald headed, always smiling.” (He used to say, she recalls, that “you can’t have brains and hair too.”)

The house was grandly furnished, with oriental rugs throughout and a grand piano in the living room. Before dinner, Myers liked to sing, accompanied by Dorothy at the piano. The Myerses entertained frequently, often other well-known local doctors, like Albert Furstenberg and R. Bishop Canfield, and sometimes visiting out-of-town doctors.

Mrs. Schumacher left the Myerses’ employ when she and her husband started the Old German restaurant. After Mrs. Owens’s death and Dorothy’s decision to move in with a friend, Dr. and Mrs. Myers stayed in the big house until 1946, when they moved to Hildene Manor, the gracious Tudor-style apartment building at 2220 Washtenaw. Dr. Myers died in 1955 and his wife a few years later.

The Ann Arbor Unitarians had been in their church at State and Huron since 1883, and the decision to move was a difficult one. Parishioners–including the children of Jabez Sunderland, the minister under whom the church had been built–realized the historic value of the old building, both architecturally and as a repository of memories. But it had deteriorated, inside and out, and the costs of repair far exceeded the church’s resources. The Depression and then World War II had depleted the membership; when Ed Redman took over the ministry in 1943, there were sixteen contributing member families.

Don Campbell, then the church treasurer, says that the old church “was like a barn–cold, hard to heat, dirty.” Services were held in the library, which was easier to heat, because it was rare for more than thirty-five people to show up.

Ironically, it was Redman’s success in bringing the membership back up that sounded the death knell for the old church. He attracted young families, many with children, and soon the church could not provide the needed Sunday School space, even spreading out to the parsonage next door on State Street. When, in 1945, the Grace Bible Church offered the Unitarians $65,000 for the old building, they accepted the offer and began to search in earnest for a new home. The following year they bought the Myers house for $46,000.

On February 3, 1946, Redman gave his last sermon in the old church. It was entitled “Sixty-Four Glorious Years.” After a few months in Lane Hall, he delivered the premiere sermon in the Myerses’ former living room, calling it “Birth of a New Age.” The house took on an entirely new identity. Church social events were held in the old dining room, while the Sunday School met in the second- and third-floor bedrooms.

The Redmans had planned to live in a parsonage on Packard, but they found the house too small (Redman and his wife, Annette, had five children) and preferred to live closer to the action. A parsonage addition was built at the back of the house, one floor in 1948 and a second in 1955. By the fall of 1951, it was obvious that the church was outgrowing its house. Redman, in his recollections published by the church in 1988, wrote, “The worship services could not be contained in the original living room space of the chalet. John Shepard had installed storm windows in the side porch, and it was quite fully occupied except in the most severe weather. The entry hallway provided additional seating space extending all the way into the original sun room. And the main stairway was also often occupied!”

The church began collecting money for an addition, receiving pledges for $40,000. George Brigham, a prominent architect on the U-M faculty and a church member, was hired to design the addition with an auditorium upstairs and a social hall and kitchen downstairs.

According to Redman’s memoir, Brigham’s charge was “safeguarding the architectural integrity of the existing chalet and the design of additions, which would pick up on the theme of the chalet to create a total facility blending in a unified way with its landscape.” Redman continues proudly: “That the goal was substantially achieved by Professor Brigham was attested when the renowned Unitarian architectural master Frank Lloyd Wright expressed one of his rare approvals by exclaiming, ‘That’s good!’ ”

Today the church stands as completed in 1956, except for a change in the roof line to make the building easier to heat. The section that was the Myers house is used for offices: dining room for main office, master bedroom for minister’s study, Mrs. Owens’s bedroom for the religious education director’s office. The sun room off the living room is the library. The National Organization for Women rents an office on the second floor, and the old parsonage is often rented during the week by preschool groups. The carriage house where the Schumachers lived is now home to a Salvadoran refugee family sponsored by the church.

The Unitarian Universalist church continues to thrive in the space, with a membership of 416, not counting children. Phifer, who fell in love with the building the moment he saw it, says, “I never heard anyone say anything but praiseworthy about it.”

Grace Bible eventually outgrew the old church at State and Huron, moving to an ambitious new complex on South Maple Road. The building sat vacant and deteriorating for several years until it was finally restored as the offices of Hobbs and Black architects. It was an ideal solution: Hobbs and Black got a showpiece office, and the building a proud, well-heeled tenant. “It’s beautiful, but it cost an arm and a leg,” Don Campbell says of the restoration. “The church didn’t have that kind of money.”

[Photo caption from original print edition]: The Unitarians’ additions have been so subtly done that today’s expansive church (above) looks surprisingly unaltered from its days as a private home (right).