June 2018

Concordia University Campus Tour

On Sunday, July 8th, a2modern and Concordia University of Ann Arbor (CCAA) will offer a tour of the CCAA campus flanking Geddes Road on the banks of the Huron River near US-23.  The tour will feature  several midcentury modern (MCM) structures including a classroom / administrative building, the library, and the Chapel of the Holy Trinity, a midcentury gem reminiscent of Eero Saarinen’s 1964 North Christian Church in Columbus, IN.  Tour guests will also have an opportunity to meet and mingle in the Earhart Manor that now serves as CCAA’s administrative center.

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Earhart Mansion

CCAA was founded in 1962 as Concordia Lutheran Junior College on a 187 acre site on the grounds of the former Earhart family estatein NE Ann Arbor.  CCAA commissioned architect Vincent G. Kling and his Philadelphia, PA firm to design the campus buildings.  Kling, who studied at Cornell and MIT and had worked for Skidmore, Owings & Merrill, headed what became the largest architectural practice in Pennsylvania in the 1960s and ‘70s.  He was an AIA Fellow and received multiple national and local AIA awards.  He is best known for his large Philadelphia projects including the multi-building Penn Center and adjacent Love Park, the Annenberg Center for the Performing Arts, Lankenau Hospital and the US Mint, but he also designed several MCM residences in the area.

Concordia was dedicated and opened to students in the fall of 1963.  Campus buildings clearly exhibit a midcentury modern design aesthetic and MCM features, including shed-style pre-cast concrete roofs, simple unadorned materials, and large windows connecting the inside to the exterior.  They contrast nicely with the Earhart Manor (designed by Detroit architects Smith, Hinchman, and Grylls, architects for many U of M buildings) and its classic but simple limestone edifice and elegant details like its slate roof, copper eaves and Pewabic ceramic fountain and bathroom tile.

image3The Chapel of the Holy Trinity, a gift of Michigan Lutheran church congregations, was designed with three sides so that its tall spire would cast its shadow over each of the academic buildings, reminding students, faculty and staff of the college’s primary purpose.  It was completed in 1964.  The chapel features multiple ‘faceted glass’ windows executed by the French artist Gabriel Loire; Barbara Krueger, a specialist on stained glass, will be there to answer questions about them. We hope you can join us on our tour of this notable MCM campus in Ann Arbor!  Tickets can be purchased here.

Albert Kahn in Detroit – Presentation and Booksigning by Michael Hodges

This event will be held at the Traverwood Branch Library event space on Thursday, June 21, 2018 from 7:00 to 8:30 PM.

Building the Modern World: Albert Kahn in Detroit, by Michael H. Hodges (Wayne State University Press), tells the tale of the penniless German-Jewish immigrant who never went beyond elementary school, yet at his death was one of the world’s most-famous architects. In this lecture and slide show, Hodges will discuss Kahn’s seminal contributions to modern architecture, his staunch defense of the Detroit Institute of Arts’ Diego Rivera murals when they came under attack, and his role in laying down the industrial backbone for the Soviet Union as chief consulting architect for the first Five Year Plan.

AUTHOR BIO

Michael H. Hodges is the fine-arts writer at The Detroit News, where he’s worked since the early 1990s. Building the Modern World: Albert Kahn in Detroit is his second book. His first, Michigan’s Historic Railroad Stations, was named one of the best books of 2013 by the Library of Michigan. Books will be available for purchase.

“Albert Kahn in Detroit” by Michael Hodges

Book Review by Grace Shackman –
Albert Kahn “almost single handedly invented modern architecture, saved Detroit’s Diego Rivera Murals, and guaranteed Allied Victory in World War II” according to Michael Hodges in his recently published book Albert Kahn in Detroit: Building the Modern World.  Kahn (1869-1942) was responsible for over 2,000 buildings-houses, factories, skyscrapers, commercial buildings, and public buildings including much of the University of Michigan.
Hodges builds good cases for these three claims. Kahn is considered an inventor of modern architecture because his factories, with their big windows and open interior space made possible by using reinforced concrete, were an inspiration for the modernist pioneers in Europe. The second claim is based on the fact that Kahn knew and liked Diego Rivera. While many of the important people in Detroit disliked his murals, Kahn defended them, most notably to Edsel Ford who was paying for them.
The third claim is based on the amount of building Kahn did for WWII including many tank plants, arsenals, airplane engine buildings, giant aircraft factories, and designs for new military bases for the Pacific and Atlantic operations. Added to all this, his firm was responsible for building 500 factories in the Soviet Union in the 1930s. Hired ostensibly to build tractor factories, the Kahn people were suspicious that it was really for something else when the Soviets insisted the floors be built stronger than needed.  Indeed the factories were used to make tanks, which the soviets used in World War II, forcing Hitler to divide his troops to fight on two fronts.
All this Hodges explains and much more, writing in a style that feels like he is talking to the reader, not as the omniscient narrator, but as a friend sharing what he knows. And he carefully footnotes, so people can trust what he is saying.  The research was challenging because Kahn left a limited paper trail, mainly letters to his family and occasional newspaper interviews and was not the sort of person to brag or philosophize. But reading everything else he could find about Kahn and talking to people who knew him (Hodges spent 3 1/2 years on the project), rounded out a consistent picture of a man who was a workaholic, more concerned that his buildings did what they were designed for than for fame or recognition.  Time after time, his clients cited their appreciation that they got exactly what they wanted, on time and under budget to boot.
Kahn was well respected in his lifetime and received many honors.  “At the time of his death the architect was world renowned,” says Hodges, but then seemed to vanish, appreciated only in southeast Michigan.  But Hodges ends the book on a happy note. “In a development that would doubtless please the architect, the unexpected urban revival that sprouted in Detroit ….has meant that any number of Kahn’s buildings, which enjoy considerable cachet in the local real estate market, have suddenly seen new life.”
Hodges, who lives on Mulholland (his house was on the Old West Side Homes Tour in 2014), commutes daily to Detroit where he covers fine arts for the Detroit News.  At one time he seriously considered a career in architecture.  However, he says his real joy is taking photographs, which surprisingly he took for the book using only his I phone.  When he found that hiring a helicopter was affordable ($350 an hour, not nothing but he was afraid it would be much higher) he took aerial photographs of some of Kahn’s buildings.  His present day photos are interspersed with historic ones, many loaned to him by the Albert Kahn Associates who have pictures of the buildings when first built.  He’s been giving readings at various locations, so keep watch for ones in the Ann Arbor area.