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MICHIGAN MODERN: Design that Shaped America–early bird registration ends 5.22

MICHIGAN MODERN: Design that Shaped America
Cranbrook Educational Community, Bloomfield Hills, June 13-16, 2013

Michigan was an epicenter of modern design in postwar America. Through its design industry, companies like Herman Miller and General Motors and designers Charles Eames, George Nelson, Harley Earl, Eero Saarinen and Minoru Yamasaki shaped the American dream and brought good design to the masses. Join us as we tell the Michigan Modern story through a symposium at the Cranbrook Educational Community and an exhibition at the Cranbrook Art Museum.

To learn more about the event, download the symposium registration brochure.

For a printer-friendly copy of the symposium brochure, click here. To request a hard copy, contact us by email or by telephone, 517.373.1630.

Deadline
May 31, 2013. Advance registration is required.
Conference registration is limited to 500 participants, so we encourage you to register early.

Fees
Early Bird registration: $375
Late registration after May 22: $425
To register, please visit: www.regonline.com/michiganmodern2013.
If you have questions, please email us at michiganmodern@michigan.gov.
We look forward to seeing you in June!

Detroit Art Deco Society's Michigan Modernism Preview Party 4.26

It’s preview party time for the Detroit Area Art Deco Society as the mid-century enthusiasts open up the Michigan Modernism Exposition on April 26, 7 – 10 p.m.

Go Mod 6x9

The annual art deco affair offers you and your guests first dibs on some of the best 20th century antiques and fine arts from the international market while enjoying complimentary wine and hors d’oeuvres.

This year we’re pulling out all the stops as Cari Cucksey of HGTV Cash and Cari joins us as our honorary chair for the Friday night preview party.

We’re stepping up the hors d’oeuvres as 2 Unique Catering steps in to present a large variety of the super delicious sweets and savories for you to enjoy all evening.

We envelope the entire venue with classic and modern sounds to set the tone featuring none other than Evan Perri of Hot Club Detroit.

On exhibit is Detroit’s Lost History by Dan Austin with a fantastic display of vintage postcard images courtesy of the Detroit Historical Society at the DAADS booth.

Lastly we’ll have on view a vintage 1931 Studebaker President Eight.

Preview party tickets are $65 in advance and can be purchased now at daads.org or by calling 248-582-3326. 

Proceeds from the preview party benefit DAADS scholarship, restoration and preservation programs.

Purchase your tickets online.

Location: The Southfield Civic Center 26000 Evergreen Road 
(at 10 1/2 Mile Road)
 Southfield, MI
Preview Party: Friday April 26, 7pm – 10pm

Modernism Expo: Saturday 10am – 6pm,
 Sunday 12pm – 5pm

lecture: PROOF POSITIVE episode 2:5 / Caroline Constant

PROOF POSITIVE episode 2:5 / Caroline Constant

February 14, 2013 01:00 PM
Saarinen Conference Room (Rm. 2224)
University of Michigan Art + Architecture Building

Caroline Constant is Professor of Architecture and Emil Lorch Collegiate Professor of Architecture and Planning (2011-2014) at the University of Michigan Taubman College of Architecture and Urban Planning.

Interests in the social, cultural, and political ramifications of architectural form underlie Constant’s teaching as well as her research in architectural history and theory. Constant teaches design studios at all levels in the curriculum as well as graduate seminars investigating the theoretical, historical and ideological underpinnings of the revolution in western architectural thought that took place during the early decades of the twentieth century and the repercussions for subsequent architectural practice.

Constant’s research, engaging the traditional disciplinary boundaries of architecture by exploring relationships among architecture, landscape architecture and the decorative arts, has been widely published in books and periodicals. In The Modern Architectural Landscape (University of Minnesota Press, 2012), she explores the reintegration of architecture and landscape in twentieth-century architectural practice, a current within modernism that falls outside its polemical boundaries, yet evolves out of its utopian aspirations. Her earlier books, The Palladio Guide (Princeton Architectural Press, 1985) and The Woodland Cemetery: Toward a Spiritual Landscape (Byggförlaget, 1994), comprise earlier efforts to engage related disciplinary issues. In Eileen Gray (Phaidon, 2002), Constant examines the work of this twentieth-century practitioner and theorist whose designs challenged certain theoretical assumptions of modern architecture to reinstate the bodily experience of space as a primary value. In recognition of her work on Eileen Gray, Constant was made an honorary member of the Royal Institute of the Architects of Ireland, a recognition that Gray received late in her life.

Michigan Based Architectural Photographer Balthazar Korab Dies

Troy Michigan Based Architectural Photographer
Balthazar Korab Dies

In an announcement sent by the Michigan Chapter of the American Institute of Architects on Tuesday, January 15, 2013, the world learned of the passing of famed architectural photographer Balthazar Korab. Mr. Korab, who the subject of one of the Library of Michigan’s 2013 Notable Books Balthazar Korab Architect of Photography by John Comazzi (Princeton Architectural Press), was a trained architect but gained his greatest fame for his stunning architectural photographs.

On Friday, May 15, 2009, Balthazar Korab was presented with a Lifetime Achievement Award by MHPN. Text from that presentation is provided here.

For more than 50 years, Balthazar Korab has been recognized throughout the world as a photographer of architecture, art, and landscape. It is also Balthazar’s photographic documentation of the architecture of Michigan, and his tireless support of its recognition and preservation, that make it particularly appropriate for him to receive the Michigan Historic Preservation Network’s Lifetime Achievement Award – the twenty-fourth individual to do so in the award’s 18-year history.

Balthazar was born in 1926 in Hungary and studied architecture at the Polytechnicum in Budapest. In 1949, he fled Hungary’s communist government, emigrating to Paris where he completed his architectural studies in 1954 at L’Ecole des Beaux Arts, and where he studied art history at L’Ecole du Louvre. These studies were cap-stoned by a summer of study in Venice at Les Congres Internationaux d’Architecture Moderne.

In 1955, after stints as a journeyman under Le Corbusier and other European architects, Balthazar moved to the U.S. Eero Saarinen hired him as a designer in his Bloomfield Hill’s office at Cranbrook. Under Saarinen, Balthazar experimented not only in architectural design – receiving fourth prize in the Sydney Opera House Competition – but began his lifelong work with photography as a design tool. His contributions already were recognized by 1964 when he was awarded the American Institute of Architects Medal for Architectural Photography. By then, Balthazar had decided to stay in the U.S. and became a naturalized citizen in that same year. He had been fully embraced by the architectural community in Detroit, with many firms retaining him to document their projects. About his work, Balthazar stated, “I have always considered myself an architect who takes pictures, rather than a photographer who is knowledgeable about architecture.”

In addition to Saarinen, Balthazar has worked with some of the world’s most important architects including Louis Sullivan, Frank Lloyd Wright – who invited him to join Taliesin in 1958, Le Corbusier, Louis Kahn, Harry Weese, Frank Gehry, Marcel Breuer, Minoru Yamasaki, Ludwig Mies van der Rohe, Philip Johnson, Cesar Pelli, and I.M. Pei. His photographic work has been in dozens of exhibits and is found in public and private collections including the Detroit Institute of Arts, the Museum of Modern Art in New York, the U.S. Library of Congress, and Montreal’s L’Centre Canadien d’Architecture. He also has been featured in a number of publications, most recently the Michigan Architectural Foundation’s text, Great Architecture of Michigan.

We are extraordinarily proud that Balthazar and his wife Monica chose to make their home in Michigan and raise their children Christian and Alexandra here. The couple resides in Troy on a four-acre historic homestead where they operate his photography studio. Balthazar has been committed to his State serving on the Governor’s Committee on Art in Public Places, as Design Editor of Metropolitan Detroit, and on the Design Advisory Committee for Cranbrook. And he has been recognized for this commitment with Honorary Memberships in the Michigan Society of Architects, the AIA Detroit Chapter, and the Michigan Society of Landscape Architects. In 1994, then-President Bill Clinton presented a hand-selected portfolio of Balthazar’s photography to Arpad Goncz, the President of Hungary, on his state visit to Budapest. Most recently in 2007, Balthazar received both the AIA Lifetime Achievement Award for Photography, and, the Hungarian Institute of Architects’ Honorary Award for Lifetime Achievement.

Of his work, Balthazar states, “I am an architect with a passion for nature’s lessons and man’s interventions. My images are born out of a deep emotional investment in their subject.” We are deeply appreciative that Balthazar Korab has joined us this evening to receive the Michigan Historic Preservation Network’s Lifetime Achievement Award.

This press release is from the Michigan Historic Preservation Network.
The MHPN is Michigan’s statewide preservation organization and the advocacy and resource group for preservationists from all backgrounds. Founded in 1981 to foster the preservation and protection of Michigan’s rich cultural and architectural heritage, MHPN has led the effort to strengthen the Local Historic District Act [P.A. 169 of 1970 (as amended)] and worked to establish a Michigan Historic Tax Credit that, for over ten years, helped revitalize historic and traditional communities throughout the state. For more information about MHPN and its annual awards program, now in its 22nd year, please visit our website at: www.mhpn.org.

Michigan Modern: Design that Shaped America

Save the Date
Michigan Modern: Design that Shaped America
Symposium and Exhibition June 2013

Symposium June 13–16, 2013
Cranbrook Educational Community, Bloomfield Hills, Michigan

Exhibition June 14–October 13, 2013
Cranbrook Art Museum, Bloomfield Hills, Michigan

Michigan’s design visionaries touched nearly every aspect of American life.

  • Automobile companies stylized the cars that became part of the American dream
  • The furniture industry revolutionized the American home and office
  • Architects Eero Saarinen and Minoru Yamasaki defined an era.
  • Join nationally renowned speakers and tour Michigan’s outstanding modern sites: General Motors Technical Center, Lafayette Park, Alden Dow Home and Studio, McGregor Memorial Center and the Ford River Rouge Plant.

    For details, visit michiganmodern.org or call 517.373.1630. Symposium registration opens February 2013 and includes the exhibition opening reception.
    Developed by the Michigan State Historic Preservation Office and Cranbrook Art Museum.

    tour: in-progress renovation of midcentury ranch

    Homeowner Paul Hickman (owner of Urban Ashes) is opening the opportunity to experience a rare hands-on opportunity to visit an in-progress transformation of a historic mid-century modern ranch featuring a multitude of unconventional and reclaimed materials from the site and beyond.

    The next installment of the Visible Green Home™/Behind the Drywall™ Tour showcases the “story” behind a home and the owner’s 18 years of professional experience specifying sustainable finishes and materials as a consultant/designer. This mid-century modern, dubbed “Rancho Deluxe”, is being revived utilizing many of the same materials deconstructed from the site during the renovation. With these materials from the site, along with other unconventional and reclaimed materials, Rancho Deluxe creates a unique sense of place that respects the history of the home while looking to the future. Where new materials and fixtures are required, the focus is American made, locally sourced, or reclaimed whenever possible.

    Guided tours will take place on Saturday and Sunday, December 8th and 9th, 2012. The event is free however; pre-registration is required by visiting www.behindthedrywall.com or by calling 734-619-8024.

    Some key materials and their stories:

    • The original Redwood clapboards, unearthed under the 1970’s vinyl siding, will be repurposed as siding for the new Urban Ashes studio on site.
    • The old vinyl siding went to another homeowner to clad a new addition and garage.
    • All of the ½” rigid foam from under the vinyl was salvaged and is being reused on site as a component of the new thermal envelope.
    • The new exterior house siding and trim is sourced from 100 year-old Michigan barns, once at the heart of the state’s agriculture infrastructure, and now diverted from the landfill.
    • The concrete patio material, removed to insulate the foundation, was salvaged and will be utilized on site for retaining walls and as broken pavers.
    • The existing interior doors, plumbing & lighting fixtures, laminate flooring, appliances and mechanical fixtures not vintage to the house or era, were donated to local charities or relocated to new homes.
    • All of the new interior doors will be vintage “Miracle” doors sourced through Reclaim Detroit from deconstructed Detroit homes slated for landfill.
    • New flooring, trim, and cabinetry designed by the homeowner in a 1940’s style, will be crafted from trees downed by the Dexter Tornado of 2012, and from the only large tree removed from the site necessary to fully expose the solar array used to power the home and studio year round.
    • The new interior color palette, designed to pay homage to the 1940’s, will be created using petroleum-free, non-toxic, plant oil-based paints.

    About the Tour Organizers

    This tour is being organized by a collaborative of local companies which include: Meadowlark Energy, Architectural Resource, Urban Ashes, Thrive Net-Zero Collaborative, Renovo Power Systems, Wood Window Repair, Land Architects, Brian Schmidt Carpentry, Nicki Wilson Lighting, Big George’s, Bgreen Today, Neighborhood Roofing, 2nd Chance Wood Company, and Reclaim Detroit. For more information go to www.ranchodeluxe.info

    Lecture: Furniture Design as Art: Eames Furniture History (Kalamazoo)

    Of interest to a2modern!

    Art League Lecture: Furniture Design as Art: Eames Furniture History

    Dates: Wed Dec 12, 12
    Time: 10:00am
    Location:
    Kalamazoo Institute of Arts
    314 S. Park St., Kalamazoo, MI 49007
    Kalamazoo, MI
    Contact:
    (269) 349-7775
    Carla Atwood Hartman, the granddaughter of Charles and Ray Eames, will discuss the history of the famous Eames furniture design and lead a tour of Good Design: Stories from Herman Miller at the Kalamazoo Valley Museum after the lecture reception.
    Free for Art League Members/$10 KIA Members/$12 general admission/$3 students with valid college ID.
    Early in their careers together, Charles and Ray Eames identified the need for affordable, yet high-quality furniture for the average consumer — furniture that could serve a variety of uses. For forty years the Eameses experimented with ways to meet this challenge, designing flexibility into their compact storage units and collapsible sofas for the home; seating for stadiums, airports, and schools; and chairs for virtually anywhere.

    Their chairs were designed for Herman Miller in four materials — molded plywood, fiberglass-reinforced plastic, bent and welded wire mesh, and cast aluminum. The conceptual backbone of this diverse work was the search for seat and back forms that comfortably support the human body, using three dimensionally shaped surfaces or flexible materials instead of cushioned upholstery. An ethos of functionalism informed all of their furniture designs. “What works is better than what looks good,” Ray said. “The looks good can change, but what works, works.”

    For more information: http://www.kiarts.org/event.php?calendar_id=13&event_id=643

    Michigan participation in docomomo tour day 2012

    Two organizations in Michigan will be participating in DOCOMOMO US Tour Day 2012–a2modern and Wayne State University. Both events are free. Please see below for further information!

    a2modern, Ann Arbor
    State Historic Preservation Officer Brian Conway will be at the Bentley Historical Library in Ann Arbor on October 9, 7:00 p.m., to discuss the pivotal role Michigan played in the development of Modernism. The event is being hosted by a2modern as part of Docomomo US Tour Day 2012, which raises the awareness of and appreciation for buildings, interiors, neighborhoods and landscapes designed in the United States during the mid-20th century. Docomomo US is an organization devoted to the documentation and conservation of buildings of the modern movement. The group a2modern has the same mission for architecture in Ann Arbor.
    Location: Bentley Historical Library
    Time: 7:00 p.m.
    Date: October 9th, 2012
    Registration: no required
    Cost: Free
    Contact: modernists@a2modern.org

    Wayne State University
    Minoru Yamasaki Buildings

    Tours will start in the lobby of the McGregor Memorial Conference Center, and then proceed to the Education Building, the Meyer and Anna Prentis Building and Helen L. DeRoy Auditorium. Tours will last approximately 60 minutes.

    Start Address:
    McGregor Memorial Conference Center
    495 Ferry Mall
    Detroit, MI 48202
    Date: 10/6
    Time: 10:00am, 11:30am, 1:00pm, 2:30pm, 4:00pm
    Cost: Free
    Registration: No need for participants to register

    ann arbor rotary award to david w osler


    Architect David W. Osler received emeritus status by the Ann Arbor Rotary Society August 22, 2012. The event was held in the Michigan Union. Architect Ed Wier provided the talk on Osler’s many achievements. Those remarks are provided below:

    David W. Osler
    David was born and raised in Ann Arbor, graduating from University High in 1938. There, he met Connie Lorch, the young lady who would later become his wife. David has always been an artist – as a young man he was enamored with the beautiful hand-drawn illustrations found in the magazine publications of the day, such as the Saturday Evening Post.

    David attended the University of Michigan, studying design and illustration and graduating in the class of ’42. David was a golfer while here at Michigan and was part of a Big Ten championship golf team. Following his time at the U-M, David enlisted in the Navy and served on the USS Thomas Jefferson, an assault transport ship. The Jefferson, with Osler aboard, played a key role in the Normandy invasion helping to transport the first wave of troops in the assault on Omaha Beach. Often overlooked, but equally harrowing from David’s perspective was a later assault that he participated in while serving on the Jefferson that occurred in southern France.

    After returning home from the war, David married his high school sweetheart, Connie. Connie’s father, Emil Lorch, established the school of architecture at the University of Michigan and served as the school’s first dean. David had already been working in the field of architecture – working with Ann Arbor architect Pete Loree. Having spent this time around architects and in architecture, David decided that a career in architecture could also fulfill his need for creative and artistic expression—and today we’re all the better for it. David W. Osler Associates was established in 1958.

    Over the course of a 50-year career, David compiled a diverse portfolio of building types ranging from single family homes to condominiums, libraries and churches. Notable projects in and around Ann Arbor include the Oslund Condominiums, St. Clare of Assisi Episcopal Church, the First Unitarian Universalist Church, the former Nellie Loving Branch of the Ann Arbor District Library, the Standing House at the Leslie Park Golf Course, Geddes Lake Condominiums, the Independence Lake Pavilions, and numerous private residences. Other noteworthy projects include the Gerstacker Language Center at Albion College, the Williams Research Corporation Headquarters in Walled Lake, and a particularly thoughtful and elegant addition to the Historic Howell Carnegie Library – a project that would win numerous library and design excellence awards. David Osler Associates won 22 Michigan AIA honor awards. This is a truly remarkable accomplishment – very rare for a small firm without departments delegated to marketing and public relations. In 1981, Osler was a finalist in the design competition for the Vietnam War Memorial in Washington, D.C. – one of only 15 entries to receive honorable mention for the commission that ultimately went to Maya Lin. In 2005 David W. Osler Associates was designated as Firm of the Year by the Michigan AIA, and in 1996 Osler was awarded the Michigan AIA Gold Medal Award – the highest honor the American Institute of Architects can bestow upon an architect.

    When I recently asked David if he had any favorite projects, he was reluctant to name anything in particular – but felt the most important thing for all to know was that he tried to do his best on every project. Regardless of the size of the job, or the size of the budget, it was important to give each project your best effort. David’s projects all share a care for context – they are modern, appropriate and timeless. I first came to know David when I was a young architect back in 1988. I was three years out of architectural school and looking for a new opportunity. David had recently been awarded the commission to design the addition to the downtown Ann Arbor library and was looking to add to his staff. Of course I was thrilled with the opportunity, but also a bit anxious. I knew little about David personally at the time, but I knew much about his reputation. You see, back in 1988, as is still true today, in the community of architects, we all know he’s the best and most talented among us. Back at that time in 1988 – as a recently married frugal young architect – I would typically bring my lunch to work in a paper sack. To my surprise, David often did the same- except for Wednesday when he tried his best to get here. It was during those lunch times- usually still at our drafting boards – that I got a chance to know David better. One thing I learned was that we both shared a love for Michigan athletics. We’d swap stories of our favorite athletes, and compare eras. His favorite football team of all time – the 1947 team- now I didn’t get to see that team play, but David says they were exceptional – and beyond that, many went on to exemplary careers outside of athletics.

    Dave joined Rotary in 1974 at the urging of his friend, Chuck Cares. Chuck, a landscape architect and former chair of the Landscape Architecture Department here at U-M, was of course Ann Arbor Rotary club president in 1989. David’s Rotary badge shows the patina of a longtime member. I’m sure most of us can look back on the early years of our professional careers and identify those people who taught us important lessons that would serve us throughout our careers. I consider myself fortunate to have had David Osler be one of those people for me. Now I know I’ll never be the artist that David is – I’ve come to terms with that – but David taught all those around him about the value of consistent effort – coming to work every day and giving your best effort. That the details matter – that every project matters, even if it may seem minor or insignificant, if you’re spending time to work on it, then give it your best effort. Don’t make excuses, treat people right.

    David and Connie have three children – they, too, are all artists. Molly is an interior designer here in Ann Arbor. Robin is an architect in New York and Peter, with whom I worked when I was at the firm, established the Landscape Architecture program at the Illinois Institute of Technology and now serves as the director of that program. I am honored to present David Osler as an Emeritus member of the Ann Arbor Rotary Club. (Remarks by Ed Wier, Aug. 22, 2012)

    Photograph of David W. Osler courtesy of Ann Arbor Rotary.