Author: Jim

Winningham / Saffer Open House

On September 9, a2modern will host a tour of the David and Ann Saffer’s George Brigham-designed house.

This expansive single-level home nestled in the northeastern corner of a six acre property provides a maximum of privacy with spectacular views of gardens and forest. The present owners, David and Ann Saffer, enjoy “the long views” both inside the house and out across the lush and level grounds.

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Mid-century Modern architect George Brigham designed this house for an elderly client who asked for two wings for bedrooms, an indoor conservatory, and a screened porch, identified in the plans as “the terrace.” The Saffers have enhanced the sensitivity of this house to its orientation in the natural setting by adding a trellis-covered patio onto the terrace, by enlarging the existing skylights and by adding a large skylight above the dining area. They have made the house a most beautiful platform for entertaining.

Arriving by car, one first sees the two-car garage and a covered walkway to two separate points of entry to the house: the main door by the master bedroom wing (west end) and farther down an access door to the kitchen. An axial corridor runs the full length of the house from master bedroom to kitchen/food preparation area along this side of the house. Entering the central core of the house there is one long and quite wide room, gently lit by clerestory windows along the north roofline. The wide floor to ceiling fireplace sets the scene of a large gathering space that is flanked by the dining area, the terrace and the open patio on the east. In the other direction expanses of glass invite one to saunter to the conservatory area (now a conversation spot) and the courtyard between the bedroom wings. The Saffers have placed in this outdoor courtyard a fountain that is audible from the master bedroom and the library.

This is not a simple ranch-style house. The generous interior dimensions of conservatory space, fireplace area, dining area, terrace area and patio area respond to the client’s needs for accommodating gatherings of many people. Equally, the views out onto the grounds and the forest create a sensation of being in nature. A highlight of the house are the eaves and the overhangs left open so as to mediate the sunlight without blocking it. These overhangs are created by the ceiling beams extending beyond the walls of the house, and while unobtrusive at first the effect is pleasure at a friendly presence.

There are many striking design features and designed-in amenities in this largely original Mid-century Modern house. A great new feature involves the tile floor covering from conservatory to the terrace. Its quiet sandstone and ochre colors unite the entire entertaining space in a single sweep and add to the feeling of openness, serenity and naturalness already induced by the design of a gifted architect.

Tickets can be purchased at a2modern.myevents.com.

Concordia University Campus Tour

On Sunday, July 8th, a2modern and Concordia University of Ann Arbor (CCAA) will offer a tour of the CCAA campus flanking Geddes Road on the banks of the Huron River near US-23.  The tour will feature  several midcentury modern (MCM) structures including a classroom / administrative building, the library, and the Chapel of the Holy Trinity, a midcentury gem reminiscent of Eero Saarinen’s 1964 North Christian Church in Columbus, IN.  Tour guests will also have an opportunity to meet and mingle in the Earhart Manor that now serves as CCAA’s administrative center.

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Earhart Mansion

CCAA was founded in 1962 as Concordia Lutheran Junior College on a 187 acre site on the grounds of the former Earhart family estatein NE Ann Arbor.  CCAA commissioned architect Vincent G. Kling and his Philadelphia, PA firm to design the campus buildings.  Kling, who studied at Cornell and MIT and had worked for Skidmore, Owings & Merrill, headed what became the largest architectural practice in Pennsylvania in the 1960s and ‘70s.  He was an AIA Fellow and received multiple national and local AIA awards.  He is best known for his large Philadelphia projects including the multi-building Penn Center and adjacent Love Park, the Annenberg Center for the Performing Arts, Lankenau Hospital and the US Mint, but he also designed several MCM residences in the area.

Concordia was dedicated and opened to students in the fall of 1963.  Campus buildings clearly exhibit a midcentury modern design aesthetic and MCM features, including shed-style pre-cast concrete roofs, simple unadorned materials, and large windows connecting the inside to the exterior.  They contrast nicely with the Earhart Manor (designed by Detroit architects Smith, Hinchman, and Grylls, architects for many U of M buildings) and its classic but simple limestone edifice and elegant details like its slate roof, copper eaves and Pewabic ceramic fountain and bathroom tile.

image3The Chapel of the Holy Trinity, a gift of Michigan Lutheran church congregations, was designed with three sides so that its tall spire would cast its shadow over each of the academic buildings, reminding students, faculty and staff of the college’s primary purpose.  It was completed in 1964.  The chapel features multiple ‘faceted glass’ windows executed by the French artist Gabriel Loire; Barbara Krueger, a specialist on stained glass, will be there to answer questions about them. We hope you can join us on our tour of this notable MCM campus in Ann Arbor!  Tickets can be purchased here.

Albert Kahn in Detroit – Presentation and Booksigning by Michael Hodges

This event will be held at the Traverwood Branch Library event space on Thursday, June 21, 2018 from 7:00 to 8:30 PM.

Building the Modern World: Albert Kahn in Detroit, by Michael H. Hodges (Wayne State University Press), tells the tale of the penniless German-Jewish immigrant who never went beyond elementary school, yet at his death was one of the world’s most-famous architects. In this lecture and slide show, Hodges will discuss Kahn’s seminal contributions to modern architecture, his staunch defense of the Detroit Institute of Arts’ Diego Rivera murals when they came under attack, and his role in laying down the industrial backbone for the Soviet Union as chief consulting architect for the first Five Year Plan.

AUTHOR BIO

Michael H. Hodges is the fine-arts writer at The Detroit News, where he’s worked since the early 1990s. Building the Modern World: Albert Kahn in Detroit is his second book. His first, Michigan’s Historic Railroad Stations, was named one of the best books of 2013 by the Library of Michigan. Books will be available for purchase.

“Albert Kahn in Detroit” by Michael Hodges

Book Review by Grace Shackman –
Albert Kahn “almost single handedly invented modern architecture, saved Detroit’s Diego Rivera Murals, and guaranteed Allied Victory in World War II” according to Michael Hodges in his recently published book Albert Kahn in Detroit: Building the Modern World.  Kahn (1869-1942) was responsible for over 2,000 buildings-houses, factories, skyscrapers, commercial buildings, and public buildings including much of the University of Michigan.
Hodges builds good cases for these three claims. Kahn is considered an inventor of modern architecture because his factories, with their big windows and open interior space made possible by using reinforced concrete, were an inspiration for the modernist pioneers in Europe. The second claim is based on the fact that Kahn knew and liked Diego Rivera. While many of the important people in Detroit disliked his murals, Kahn defended them, most notably to Edsel Ford who was paying for them.
The third claim is based on the amount of building Kahn did for WWII including many tank plants, arsenals, airplane engine buildings, giant aircraft factories, and designs for new military bases for the Pacific and Atlantic operations. Added to all this, his firm was responsible for building 500 factories in the Soviet Union in the 1930s. Hired ostensibly to build tractor factories, the Kahn people were suspicious that it was really for something else when the Soviets insisted the floors be built stronger than needed.  Indeed the factories were used to make tanks, which the soviets used in World War II, forcing Hitler to divide his troops to fight on two fronts.
All this Hodges explains and much more, writing in a style that feels like he is talking to the reader, not as the omniscient narrator, but as a friend sharing what he knows. And he carefully footnotes, so people can trust what he is saying.  The research was challenging because Kahn left a limited paper trail, mainly letters to his family and occasional newspaper interviews and was not the sort of person to brag or philosophize. But reading everything else he could find about Kahn and talking to people who knew him (Hodges spent 3 1/2 years on the project), rounded out a consistent picture of a man who was a workaholic, more concerned that his buildings did what they were designed for than for fame or recognition.  Time after time, his clients cited their appreciation that they got exactly what they wanted, on time and under budget to boot.
Kahn was well respected in his lifetime and received many honors.  “At the time of his death the architect was world renowned,” says Hodges, but then seemed to vanish, appreciated only in southeast Michigan.  But Hodges ends the book on a happy note. “In a development that would doubtless please the architect, the unexpected urban revival that sprouted in Detroit ….has meant that any number of Kahn’s buildings, which enjoy considerable cachet in the local real estate market, have suddenly seen new life.”
Hodges, who lives on Mulholland (his house was on the Old West Side Homes Tour in 2014), commutes daily to Detroit where he covers fine arts for the Detroit News.  At one time he seriously considered a career in architecture.  However, he says his real joy is taking photographs, which surprisingly he took for the book using only his I phone.  When he found that hiring a helicopter was affordable ($350 an hour, not nothing but he was afraid it would be much higher) he took aerial photographs of some of Kahn’s buildings.  His present day photos are interspersed with historic ones, many loaned to him by the Albert Kahn Associates who have pictures of the buildings when first built.  He’s been giving readings at various locations, so keep watch for ones in the Ann Arbor area.

Thornoaks Walking Tour

Sorry! This event is sold out.

On June 10th a2modern will be hosting a walking tour of the Thornoaks neighborhood. The tour will include several interior visits.  Thornoaks is an unusually intact group of 32 mid-century modern homes, recently designated as an historic district.  Docent led tours will start at 1 p.m. and 2:30 p.m. The entire tour is 0.6 miles long.

Tickets to the event can be purchased here.

 

thornoaks pics-7A small enclave of 32 houses on Thornoaks Drive and Huron River Service Drive, it’s located off East Huron Drive just before the U.S. 23 underpass.  On April 18 the Washtenaw County Board of Commissioners voted approval of a request by the residents to designate it as an historic district thus protecting it from demolition or unfortunate alterations.

thornoaks pics-6Thornoaks was developed in 1957-1961 by architect James Livingston and builder E. E. Kurtz.  They carefully laid out the lots to take advantage of views of the Huron River, South Pond, or the woods.  As the parcels were sold, Livingston and Kurtz reviewed the site plans, as the incorporation document states, for “materials, harmony of external design with external structure… placement of walls or fences… and to the location with respect to topography.”

Livingston was a well- respected local architect (1922-1975).  Bob Chance, who worked with Livingston at the beginning of his career noted, “All of Livingston’s houses were contemporary, with lots of daylight.  He did nothing old-fashioned, he wouldn’t waste his time.”  Livingston is best known as the designer of Lurie Terrace.  Readers may remember the cave-like Kales Water Fall, later a Chinese restaurant, and now torn down, which Livingston designed.  Other work included the Bell Tower Hotel, Weber’s Restaurant and Hotel (where the idea of a pool inside an atrium with hotel rooms looking down on it may have been his invention), Lawton School, apartments including Maynard House and one on Pear Street, as well as many private homes.

 

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Livingston’s residence – front

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Livingston’s residence – rear

 

It is known that Livingston was responsible for at least seven Thornoaks houses, but he’s probably the architect of quite a few more, as there are many where the architect is unknown that look like his work.  When Livingston was diagnosed with terminal cancer in 1975, he immediately closed his office and went to Florida to spend his remaining time.  The architects working for him took plans for buildings they were involved in, but it is believed the rest of his files were destroyed.

 

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Livingston’s residence – inside

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Livingston’s residence – inside

Identified Livingston homes include one he built for himself at 4099 E Huron River Service Drive, now owned by Kristine Bolhuis, the president of the Thornoaks Neighborhood Association, and her husband John Holkeboer, which is where the tour will start.

 

 

Livingston was also the local agent for Techbuilt homes and there are several  homes  in the neighborhood that fit the description.  Techbuilts are considered among the best of the modular homes of that era.  Boston area architect Carl Koch noticed that in most homes the attic and basement were the least used, so developed a module home that was just that, a basement halfway out of the ground and an attic on top of it, so both floors were very usable.

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Another modular house in Thornoaks is a Deck house developed by another Boston-area architect.  Other local modern architects designing homes in the neighborhood include Ted Smith and Donald Van Curler.

 

Alexander Girard, Architect – at the DIA

The book launch for Alexander Girard, Architect will take place on Wednesday, June 13th, at 6 pm at the Detroit Institute of Arts in the Kresge Court.  Remarks from the author and foreword writer Ruth Adler Schnee begin at 6:30 pm. The book will be available for purchase and signing. This event is free, but space is limited. You can sign up at https://alexandergirardlaunch.eventbrite.com

About the book:

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard’s exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.

One exciting element of the book is the rediscovery of another Girard masterpiece—the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard’s Detroit design work at midcentury. Stunning color photographs capture the unique design elements—including the boldly colored glazed brick walls of the atrium—reminiscent of Girard’s role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book.

Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

About the author:

Deborah Lubera Kawsky completed her undergraduate studies at Smith College and her PhD in art history at Princeton University. She is an adjunct associate professor at Madonna University, where she teaches art history courses and leads European study-abroad trips.

Botch / Aaron Open House

Botch ResidenceOn the afternoon of January 13th the Aarons, who soon intend to sell the Metcalf home known as the Botch House, will be holding an open house for our a2modern friends. Tickets may be purchased here.

Architect Robert Metcalf’s 1958 presentation drawing lifted the Botch House on Chestnut Street just above the crest of the ridge. A rising walkway led to three steps up to the startling entrance portico, while a sweeping white retaining wall created an illusion of floating. It is an extraordinary drawing of an extraordinary house.

A visitor approaching from the street today would see a house gently nestled into the site, the entranceway firmly set on the ground, and rather than a retaining wall (which was not built) a berm landscaped so as to conceal the driveway area at the northwestern end of the house. It is a better solution altogether, and the landscaping and other work supervised by the present owner, an architect herself, won a Preservation Award from the Ann Arbor Historic District Commission in June 2017.

Vintage photos of the interior of the Botch House (see 1055 Chestnut/Old News) emphasized openness to light and the natural beauty of the setting. Sited along a northeast to southwest axis, the all-windows private side of the house facing a golf course receives indirect sunlight all day long. Attention to the sun also explains the elegant screen on the portico: it modulates the raking afternoon sunlight.

In its essence, a “modern” house must be designed specifically for the client. In this instance, Dr. Edmund Botch asked for a discreet area off the master bedroom where he could, when necessary, dress and quietly leave the house to see a patient or keep an appointment. The intricate living area that resulted, including the master bedroom and two large bedrooms, has to be experienced to be fully appreciated.

The present owners, Richard and Yuni Aaron, bought the house in 2006. A series of practical updatings took place in the following years, including replacing almost all of the windows, redesigning storage spaces in the kitchen to accommodate new appliances (without changing either dimensions or materials), replacing carpeted areas with light-toned hardwood flooring, and creating two bedrooms in the lower level area. On the other hand, the buff brown tile used on the portico floor, through the entranceway, and into dining area was left untouched.

When the new owners invited Robert Metcalf to Thanksgiving Dinner, he brought his little black book, in which he had noted, to the penny, the original cost of the house. Two of his trademark touches add romance to the simplicity of its modernist flat roof, continuous expanses of glass, warm tile floor, patio areas, and indirect lighting—an elegant wooden screen separates the dining area from the portico entrance; and on either side of the living room fireplace, niches of purple-rose stained glass complement the pink marble of hearth and over mantle.

It is a big, very proud house, now updated by an architect who thoroughly understands the legacy of a brilliant architect. Together, the Aarons have earned the right to the re-identification of this house as the Botch/Aaron House.

Written by: Jeffrey Welch

 

See “Old News” Articles

The Ann Arbor District Library has a platform called Old News that reproduces thousands of historic newspaper articles on the web. Now, thanks to our collaboration with the AADL, we have a place for you to view dozens of original articles about mid-century modern homes as they appeared at the time in the local press. Select an address below to view an Old News article, and explore our other links for related material.

Address                           Architect             a2modern link

New AIA article about David Osler

The Huron Valley chapter of the American Institute of Architects (AIA) just sent out a new publication to their members that celebrates the accomplishments of local architects. Of particular interest is an article written by one of their members, Martin Schwartz, which contains some great insights into David Osler’s career and accomplishments.

a2modern would like to thank Brad Angelini, President of the AIAHV, for giving  permission to reproduce this publication on our website.

You can read the article here on pages 6 – 27.